Showing posts with label Whitechapel Gallery. Show all posts
Showing posts with label Whitechapel Gallery. Show all posts

29 May 2014

AMAE and PIER GIORGIO DE PINTO in collaboration with philosopher JEAN-LUC NANCY at Whitechapel Gallery London / Sunday 15 June 2014








Whitechapel Gallery Special Event: The Voice and the Lens
Sunday 15 June 2014, 12.00 pm – 6.00 pm

Booking essential.
£12.50 / £10.00 concessions (£10.50 Whitechapel Gallery Members, £ 8.40 Whitechapel Gallery Concession Members). *Proof of concessions and membership to be shown on the door.


The Voice and the Lens is a festival exploring the treasures of the human voice, conjured up for our eyes through film and performance. Over three days, the programme features works by 55 artists, musicians and film-makers, ranging from classics to recent and brand new works.
For the festival finale, the Whitechapel Gallery hosts an afternoon of films and performances by 20 artists. Highlights include: Bill Viola’s Anthem; Bruce McLean and Adam de la Cour’s Drumstick; Anri Sala’s Answer Me; Robert Ashley’s classic Atalanta Strategy; recent work by Imogen Stidworthy, Helen Petts, Laure Prouvost and Lina Lapelyte; and specially-made new work by AMAE and Pier Giorgio De Pinto with philosopher Jean-Luc Nancy.
The relationship between the voice and the camera is a filter through which we explore a number of linked ideas, in particular: sound and image; original and copy; liveness and mediation; presence and absence. And it ultimately stages the relationship between different ways of experiencing and constructing individual and collective self-identities.


12.00 pm
Introduction by the curators

Sam Taylor-Johnson, Mute, 2001
Extract from David Lynch, Mulholland Drive, 2001
Bruce McLean and Adam de la Cour, Drumstick, 2012
Sepideh Saii, Behind The Scene, 2010
Neil Luck and Fiona Bevan, Gaze, 2012

1.00 pm
Break. Elsewhere in the galleries artist Simon Lewandowski demonstrates and performs with his automatic voice machines

2.00 pm
Imogen Stidworthy: In conversation...
Adam de la Cour performing: Mauricio Kagel, Con Voce, 1972
Anri Sala, Answer Me, 2008

3.00 pm
AMAE and Pier Giorgio De Pinto with Jean Luc Nancy, 58(+1) Indices on the body, 2014
Sam Belinfante, Focus, 2012
Lina Lapelye, Dearest!, 2014
Laure Prouvost, It, Heat, Hit, 2010

4.00 pm
Bill Viola, Anthem, 1983
Dante Rendle Traynor, Travel, song, singing, screen, voice, silly: a new work?, 2014
Helen Petts, with Phil Minton and Ute Wassermann, The Cutty Wren, 2009; Ute on the marshes, 2010
Robert Ashley, Atalanta Strategy, 1984

5.00 pm
Mikhail Karikis with Adam de la Cour, 102 Years Out of Sync, 2013

The Voice and the Lens was first developed at the Ikon Gallery, Birmingham, with support from Sound and Music, the PRS for Music Foundation, Birmingham City University, and from the Institute for Musical Research. Supported by Arts Council England.


Information at: info@whitechapelgallery.org  

In association with Sam Belinfante and Ed McKeon (Third Ear).



23 May 2014

AMAE / DE PINTO / 58 (+1) INDICES ON THE BODY. Indices 60_61. A Living Archive / Performance / Sunday 25 May 2014 at 18:30 / Free entry



Scorri verso il basso per la versione in Italiano e i documenti fotografici della performance

Scroll down for the photographic documentation of the performance









AMAE / DE PINTO
58 (+1) INDICES ON THE BODY. Indices 60_61. A Living Archive
In collaboration with Jean-Luc Nancy

Performance
Sunday 25 May 2014 at 18:30
Free entry


What are the differences between sound, noise, voice and silence? What qualities of listening do they demand and where does philosophy stand on this subject?
In 2012 the artistic collective AMAE and the artist Pier Giorgio De Pinto started a conversation inspired by the philosopher Jean-Luc Nancy’s treaty 58 indices sur le corps (Editor’s note “58 indices on the body”), and extended his text into a series of performances with the aim of exploring the contemporary body and involving the audience in close touch as a way of generating in it a deep critical conflict.
A few months later, the philosopher himself decided to participate in the project and, prodded by stimuli offered by the artists, added new words to his “Indices”, thereby taking his thoughts towards an unexpected "queer" direction.

A body becomes the media of an encoded text. The philosopher's writing is represented by numbers which are tattooed on the skin of the performer's body. Through a reader such as a tablet or a smartphone these numerals can be opened in AR (Augmented Reality) and decoded and expressed aloud as paragraphs by the philosopher's pre-recorded voice. The body speaks without a mouth. It speaks with the philosopher's voice, investigating in depth the notion of muteness and the sound of thoughts.

Last venue:
INACT Festival de performances transmédias, Strasbourg, France, 10 May 2014

Next venues:
The Voice and the Lens, Whitechapel Gallery, London, United Kingdom, 15 June 2014

Links:





AMAE / DE PINTO
58 (+1) INDICES ON THE BODY. Indices 60_61. A Living Archive
In collaborazione con Jean-Luc Nancy

Performance
Domenica 25 maggio 2014 alle 18:30
Entrata libera


Quali sono le differenze tra il suono, il rumore, la voce e il silenzio? Che tipo di ascolto richiedono e come si pone la filosofia nei confronti di tutto ciò?
Nel 2012 il collettivo AMAE e l'artista Pier Giorgio De Pinto hanno iniziato una conversazione ispirata dal trattato 58 indici sur le corps (Ndr "58 indizi sul corpo”) del filosofo Jean-Luc Nancy, e ha esteso il testo di Nancy in una serie di performance con l'obiettivo di esplorare il corpo contemporaneo e coinvolgendo il pubblico in un contatto serrato, per poter generare un conflitto critico profondo.
Pochi mesi dopo, il filosofo si è deciso a partecipare in prima persona al progetto e, incitato dagli stimoli offerti dagli artisti, ha aggiunto nuovi testi ai suoi "Indici", portando così i suoi pensieri verso una direzione "queer" inaspettata.
Un corpo diviene il supporto di un testo codificato. La scrittura del filosofo è rappresentata da numeri che sono tatuati sulla pelle del corpo del performer. Attraverso un dispositivo elettronico/digitale come un tablet o uno smartphone questi numeri possono essere aperti in realtà aumentata (AR Augmented Reality) decodificati ed espressi ad alta voce come i paragrafi degli “indici” con la voce pre-registrata del filosofo. Il corpo parla senza l’uso della propria bocca. Parla con la voce del filosofo, indagando in profondità la nozione di mutismo e il suono dei pensieri.

Evento passato:
INACT Festival de performances transmédias, Strasburgo, Francia, 10 maggio 2014

Prossimi eventi:           
The Voice and the Lens, Whitechapel Gallery, Londra, Regno Unito, 15 giugno 2014

Link: